You signed in with One more tab or window. Reload to refresh your session. You signed out in An additional tab or window. Reload to refresh your session. You switched accounts on One more tab or window. Reload to refresh your session.An important poem from this period San Leupphasun (Lao: ສານລຶພສູນ) discusses relations in between
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Early depictions of circa-9th-century Central Java carefully resembled Indic nāga which was depending on imagery of cobras. Through this era, nāga-serpents were depicted as huge cobras supporting the waterspout of yoni-lingam.A crucial poem from this era San Leupphasun (Lao: ສານລຶພສູນ) discusses relations involving Laos and Thai
Patanjali as Śeṣa. Nagas, as being a serpent-formed group of deities that often take type as cobras, are well known in Hindu iconography, all through the hindu texts (specifically in the main book with the Mahābhārata) and in community folk traditions of worship.[8] In certain areas in the Himalaya, nagas are thought to be the divine rulers of
Patanjali as Śeṣa. Nagas, for a serpent-formed group of deities that often get type as cobras, are notable in Hindu iconography, all through the hindu texts (specifically in the very first reserve from the Mahābhārata) As well as in community people traditions of worship.[8] In some regions of the Himalaya, nagas are considered the divine rule